Every Anne Hathaway Look From The Devil Wears Prada 2 Press Tour and Premieres

Two decades after Andy Sachs first stumbled into the Runway offices, Anne Hathaway has returned to the universe that crowned her a fashion icon. But the press tour for The Devil Wears Prada 2 hasn’t just been a walk down memory lane—it’s been a definitive, city-by-city reclamation of the global fashion narrative. Engineered by her longtime stylist Erin Walsh , with beauty by Gucci Westman and Orlando Pita , Hathaway used every stop to curate a masterclass in “Method Dressing 2.0.”

From the archival depth of London to the fringe of Mexico City, here is every major look from the tour that redefined modern editorial power, ordered from the supernova finale back to the opening act.

The World Premiere: The Supernova Finale

The tour reached its high-octane climax at the World Premiere, where she returned to custom Louis Vuitton . The drop-waist, corseted masterpiece in searing crimson felt less like a costume and more like a definitive thesis on modern, dramatic femininity. Hathaway signaled that while Andy Sachs may have started at Runway, she now owns the entire building.

London: The Gala & The European Premiere

The London tour pivoted to the “A Night with Runway” gala, where she showcased a sculptural, custom Louis Vuitton gown. Blending a graphic black-and-white stripe pattern with a dramatic bubble-hem overlay, the look was a masterclass in modern “supernova” fashion—signaling a mature, unapologetic return to the “Runway” world.

At the European Premiere in London, Hathaway’s arrival was a definitive cultural timestamp. Stepping out in custom Versace that masterfully deconstructs the traditional evening gown, she signaled a sharp shift toward a more subversive, “dark” power dressing. This wasn’t the soft, ethereal Anne of seasons past—this was a calculated, high-octane fashion revival.

Tokyo: Devotional Maximalism

Tokyo served as the backdrop for a fashion homecoming that felt both revolutionary and deeply familiar. Hathaway first appeared in Alessandro Michele’s Pre-Fall 2026 collection for Valentino , signaling a significant shift toward a “dense, devotional maximalism.” The ensemble was a masterclass in heritage reimagined for a new era of global glamour.

She later transitioned into a ruffled, color-blocked Valentino Spring/Summer 2026 gown. Draped in high-drama layers, the actress signaled that while the character of Andy has matured, her sartorial bite remains as sharp as ever. This appearance was less about a red carpet appearance and more about a cultural reclamation.

Shanghai: Ethereal Innovation

Stepping onto the red carpet at the Shanghai premiere, Hathaway looked like a literal dream in a custom creation by Susan Fang . The pastel pink and periwinkle gown, featuring Fang’s signature “Air-Flower” technique, felt less like fabric and more like a captured cloud, with 3D floral petals that moved with architectural grace.

The beauty look featured a sudden debut of blunt “French girl” bangs, adding a sharp, editorial edge to an otherwise soft look. By choosing a Shanghai-linked designer with a global footprint, Hathaway and Walsh signaled a deeper, more culturally attuned approach to press tour fashion.

Seoul: Architectural Subversion

In Seoul, Hathaway signaled her “Villain Era” in a monochromatic, architectural red leather ensemble from the Balenciaga Fall 2026 collection. The look—composed of a voluminous, batwing bomber jacket and a razor-sharp midi skirt—channeled a edge that felt both subversive and deeply calculated, marking a significant aesthetic shift toward aggressive femininity.

For the Seoul press conference, she redefined the “media call” aesthetic in a structured, architectural white top from the Vaquera Spring 2026 collection. Grounded by high-waisted black leather trousers, the ensemble blended high-fashion movement with minimalist comfort, signaling a sophisticated evolution for the iconic character.

Mexico City: The Archive & The Sequin

For her evening appearances in Mexico City, she pivoted to an audacious Stella McCartney red sequined micro minidress paired with striking black thigh-high boots. This look marked a significant departure from her earlier, more conservative fashion eras, signaling a bold new aesthetic that perfectly mirrors the anticipated energy of the sequel.

The tour officially kicked off in Mexico City with a masterclass in high-low tension. Hathaway paired an archive-inspired Valentino bodysuit with a structured 1990s Vivienne Westwood red label velvet corset, anchored by casual light-wash denim. It was an evolution, signaling exactly how a modern Andy Sachs might dress after two decades of ruling the industry.

“Method dressing is no longer a gimmick; it’s a calculated narrative tool. Hathaway isn’t just playing a character; she’s defining the aesthetic landscape for a new era of global glamour.”

As the world watches the return of The Devil Wears Prada, Hathaway’s wardrobe remains the ultimate visual report on modern luxury: layered, intentional, and unapologetically bold.