
Anne Hathaway Defines 'Supernova' Glamour in Custom Louis Vuitton at The Devil Wears Prada 2 Premiere

Maya Lin
Fashion Editor
Apr 22, 2026
There is a specific kind of alchemy that occurs when a cinematic icon reclaims her narrative with a single, searing shade of crimson. Touching down for the world premiere of The Devil Wears Prada 2, Anne Hathaway bypassed the expected “office core” nostalgia in favor of a high-octane “supernova” aesthetic. Orchestrated by her longtime stylist Erin Walsh, the look centered on a custom Louis Vuitton corset-style midi dress—a garment that felt less like a costume and more like a definitive thesis on modern, dramatic femininity. With skin perfected by Gucci Westman and architectural waves by Orlando Pita, Hathaway signaled that while Andy Sachs may have started at Runway, she now owns the entire building.
Key Fashion Takeaways
- Symbolic Color & Structure: The vibrant red hue and structured corset bodice offered a “devilishly chic” nod to the film’s thematic roots. By pairing a fitted waist with a high-volume, tea-length petticoat skirt, the ensemble successfully bridged the gap between 1950s couture silhouettes and 2026’s craving for tactile, sculptural drama.
- The “Supernova” Shift: This appearance marks a definitive departure from Hathaway’s previous era of subdued, minimalist elegance. The move toward voluminous proportions and bold primary colors indicates a calculated shift into “Method Dressing 2.0,” where the attire reflects the matured, high-fashion authority of her character.
- Curated Maximalism: Beyond the dress, the inclusion of Bvlgari High Jewelry—specifically the Serpenti bracelet and turquoise-accented ring—provided a necessary contrast to the monochromatic red. It’s an exercise in “intentional dressing,” where every accessory serves to elevate the look from a red-carpet appearance to a cultural timestamp.

“The architectural precision of the corset anchored by that voluminous petticoat skirt signals a new chapter for Hathaway: one where fashion is used as a tool of high-drama reclamation.”
Hathaway has used the entirety of The Devil Wears Prada 2 press tour to curate a visual report on modern luxury, mixing designers with a trend forecaster’s precision. From the fringed Sacai knits in Tokyo to this custom Vuitton masterpiece, her wardrobe choices suggest a more mature, archival-conscious approach to celebrity influence. This world premiere moment wasn’t just about showing up; it was about defining the aesthetic landscape for the film’s return—a landscape that is layered, intentional, and unapologetically bold.
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